Modern Western

Instrumental guitar grooves out of the American West — warm, unhurried, built to be worked alongside rather than listened to.
A saguaro cactus among granite boulders in the Sonoran Desert north of Scottsdale, Arizona, with hazy mountain ranges receding into the distance.

39 tracks · 2h 15m

I’m going to define it, because nobody else will. Not even the bands.

What is Modern Western?

Modern Western is instrumental guitar music, mostly made by people out here in the American West, that sounds like the place it came from. Reverb. Space. A bass line you could set a watch to. Nothing in a hurry.

Not all of it sounds like a western movie. Some of it very much does. But a lot of these bands are from out here, and you can hear it.

Almost all of it is made by two or three people. Khruangbin are a trio. Hermanos Gutiérrez are two brothers. BALTHVS, LA LOM — trios. That’s not incidental, it’s the whole reason the music has room in it. Three players can’t fill a space, so they don’t try.

The rule

One rule, and it’s a prohibition: nothing that grabs your attention.

That’s stricter than “no lyrics.” There are vocals on this playlist — but they sit inside the band, the way a horn section does. A voice used as an ensemble instrument instead of being pushed out front. That’s the whole trick, and it’s why this works as background without being empty. One song breaks the rule outright. I left it in.

Where it came from

Ohana Fest, 2022. Khruangbin. I went in knowing nothing and came out remembering three things — the bassist dancing while she played, a guitarist who was flatly a virtuoso, and a drummer who had the soft jazz thing completely nailed. Then nothing. I filed them away.

Khruangbin performing at Ohana Festival, Doheny State Beach, September 2022 - Laura Lee on bass in a red dress and zebra-print boots, Mark Speer on guitar, DJ Johnson on drums.
Khruangbin, Ohana Fest, Doheny State Beach, 30 September 2022. The bassist dancing while she played.

Ohana Fest, 2023. Hermanos Gutiérrez. Same venue, a year later. That’s when it connected.

By 2026 I knew what I wanted and went looking for it: feel-good, background, few words, non-distracting. It took a few months. Spotify helped more than I expected.

Who’s on it

Khruangbin out of Houston. BALTHVS out of Bogotá. Hermanos Gutiérrez — two brothers raised in Switzerland who say “the desert is where our music was born,” and you will not argue with them once you hear it. LA LOM, who formed playing five nights a week in the lobby of the Roosevelt Hotel and list Bakersfield country among their ingredients. Allah-Las out of LA. Monophonics out of San Francisco.

And George Benson, one track, “Breezin’.” Because somebody had to show the rest of them how it’s done.

Over half the artists on this list have no entry in any music database I could find. That is not a complaint. That’s the point.

What it’s for

Dinners. Working. A couple of sessions in the gym, which surprised me. And an enormous amount of it while I’m deep in a project and my brain needs to be left alone.

Soothing music for a working brain — or just a window of time with some simplicity in it.

Everyone on this playlist

Khruangbin · BALTHVS · Hermanos Gutiérrez · Arc De Soleil · Daniel Stark · Five and Tens · LA LOM · Lords of Lounge · Allah-Las · Assaf Spector · Gitkin · Aukai · Richard Houghten · Duppy Tales · George Benson · Granfergo · Dan Auerbach · KATZROAR · Löwenzahnhonig · Long Tall Jefferson · Fai Baba · Paul Märki · Monophonics · Kelly Finnigan · Offthewally · Radon

Play it on shuffle. I add to these over time and I do not sequence them carefully, so the running order carries no meaning — shuffle is how they are meant to be heard.

The player above shows the full track list, and its … menu will copy the playlist straight into your own app. Playing a whole track needs a free or paid account with that service and for you to be signed in — without one you will hear a 30-second preview of each song instead.

The same playlist is linked for the other services at the top of this article — nothing here is exclusive to one platform. The conversions are not perfect, though: a track that is missing from a service, or licensed differently there, drops out quietly. So the counts can differ by a song or two between platforms. The track count and running time above are Spotify’s.

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